VI Labs Ravenscroft 275 - 120$, iLok transfer fee on me SOLD 2. Pianoteq 7 Stage with instruments: Steingraeber, Steinway B, YC5, Electric Pianos - 100$, transfer fee on me SOLD 3. Embertone Walker 1955 Full with additional mics: Hammer, Close - 90$ - no trasfer fee as far as I know SOLD. The technology behind the Ravenscroft Model 275 virtual instrument is similar to the technology behind VI Labs' True Keys Piano Suite with a few exceptions and tweaks. More samples, an extra microphone position, extra velocity layers, and new features such as Silent Strikes and Muted Notes elevate the Ravenscroft Model 275 to a whole new level.

Meet the Ravenscroft 275 The Ravenscroft 275 is a stunning recreation of arguably one of the best pianos in the world. The Ravenscroft Model 275 has unparalleled dynamic response and tone that will handle a wide variety of applications such as Jazz, Pop. The Modern U is sampled from a brand new Yamaha© U3 studio upright piano. The newer model should be noted in that this includes the maker’s latest design with a warmer singing tone while still being clear and articulate, plus the hammers are new and everything is to original specification.

UM PIANO VIRTUAL COMO NENHUM OUTRO

This video features the complete installation process of the Ravenscroft Pianos model 275 virtual instrument created by VI Labs.

O conceito e a tecnologia por trás do Ravenscroft 275

No VI Labs acreditamos que alguns instrumentos verdadeiramente pode inspirar e levar a sua criatividade para novos níveis. Ravenscroft 275 é um dos raros instrumentos. Um-de-um-tipo de cauda de concerto foi recriada usando quase 17.000 amostras e 4 discreta microfones, controlado a partir de uma interface fácil de usar. Nosso objetivo foi o de emular todos os aspectos das 275 detalhadas de voz, utilizando a mais recente tecnologia de amostragem e deixar que este excelente piano de falar com clareza. O resultado: um piano virtual como nenhum outro.
Reproduzindo o tom e jogabilidade de um piano de cauda, como a de 275 Titânio não é tarefa fácil. Preciso jogar velocidades mais complexo harmônico medicamentosas e detalhes são cuidadosamente retirado e, em seguida, controlados por um poderoso script e motor. O controle é semelhante a um modelado de piano virtual, mas inteiramente baseada em amostragem. A resposta ao toque é consistente, não importa o controlador utilizado. Todos, mantendo o seu uso de recursos mínimos e a oferta de carga rápida vezes.
É um piano que funciona para todos os estilos. E detalhe lindo é abundante. Cristalina martelo ataques, única Silenciado Greves, staccato Lançamento Trilhas e exuberante Una Corda, e samples de Ressonância levar a um nível de realismo anteriormente inalcançável em um piano virtual. Se os habituais sons de piano têm usado as suas boas-vindas e é hora para o único, o Ravenscroft 275 pode ser o um. Este é, verdadeiramente, o pianista e o piano virtual.

ÁUDIO E VÍDEO

Ouvir as nossas demonstrações e assistir a vídeos.

Ravenscroft 275 by VI Labs - The Voice

SERIAL 275004: RAVENSCROFT TITANIUM

A great virtual piano starts only with the best acoustic piano

Ravenscroft Pianos are designed and built by Michael Spreeman at his company in Scottsdale, Arizona. After working with renowned jazz pianist and composer Bob Ravenscroft on a custom performance piano built to satisfy Bob's highest demands and expressiveness, Mr. Spreeman formed Spreeman Piano Innovations to build the exclusive line of Ravenscroft Pianos, named after the composer. Each handmade Ravenscroft grand takes well over 1,000 hours to complete which is about four times that of a factory built piano, and each can be built specifically to a customer's requests or for a specific design or location.
Mr. Spreeman had been seeing trends in how a large part of the piano world was becoming digital, and realistic sampling along with ever faster computers enable acoustic piano sounds to become easier to emulate. It was imperative for Mr. Spreeman to have his signature Ravenscroft voice captured for the most accurate 'simulator' possible. VI Labs worked with Ravenscroft Pianos at every step of the process to sample their 275 Titanium and do tests so we captured the perfect tone that satisfied the virtual and acoustic instrument makers both. A priority for Ravenscroft was finding the right team to sample their piano because of the expected level of accuracy and realism. With our detailed knowledge of acoustic pianos and recording methods plus complex scripting utilizing the UVI engine, we were able to create the officially licensed Ravenscroft 275 library that truly emulates the voice of the Ravenscroft 275 concert grand.

The Model 275 Titanium was built to be a concerto piano and have power to sing over a full orchestra but still handle the most delicate passages with ease and clarity. Sitka spruce from a 1,000 year old tree was used for the soundboard, the action is CAD optimized to be responsive and balanced to precise tolerances, and all string termination points are of solid titanium which contribute to its brilliance and long sustain. Front and rear tuned duplex scale further adds to the brilliance and sparkle. It responds with the agility of a fine sports car. And most important for the virtual instrument, tonal possibilities and depth of voicing with the Model 275 Titanium seem limitless. The bass is deep with a pronounced fundamental, the tenor is pure and rich, and the treble retains clear overtones and can be as bright as you want just in how you play without ever sounding edgy or brittle. The sustaining sound evolves beautifully over time with several notable 'blooms'. Overall there is brightness and definition but it keeps a warm quality at all times even when it's played fortissimo in any register.
According to Mr. Spreeman, 'Although our sound is very clean and pure, it's also multi-dimensional. I strive for multiple layers, or demensions, of complex harmonics that can be heard, sensed, and felt without sacrificing a strong emphasis on a bold fundamental tone.'

A STUDIO AT YOUR FINGERTIPS

Four discretely sampled mic setups, at your control

When recording a great piano in the studio, you want options. Versatility in microphone setups is needed to cover any playing style or mix without being limited to one basic tone. Plus the microphone selection and placement in and around the piano affect the stereo image and what tonal aspects of the piano are being recorded.
The four discrete phase-aligned mic setups of the Ravenscroft 275 accurately capture its unique voice in exquisite detail and can be used individually or mixed in any way. World-class mics and preamps were used throughout. Cisco anyconnect 4.8 mac download. Tones from close and intimate, diffuse and distant, warm or brilliant, all can be acheived with one or more of these mics. Load the samples you want and activate or deactivate mics without having to unload and reload the samples. This is the Ravenscroft 275 virtual piano studio.

REAL SYMPATHETIC RESONANCES

Entirely sample-based with realistic response

Pianists are well accustomed to the aspect known as sympathetic resonance that occurs in acoustic pianos and its importance to the sustain and how chords resolve. It binds all notes together as one instrument. Sympathetic resonance is heard among harmonically related keys held and others played, while pedal down resonance occurs as all strings vibrate together when the damper pedal is pressed adding to the overall sustain.
Both pedal down and harmonic key pedal up resonances are sample-based and not synthesized in any way. We believe this important component of the piano's tone is best emulated only with real samples. The Ravenscroft's multi-dimensional resonances have been precisely sampled and scripted for both types of advanced resonance simulations responding naturally like the real grand, all fully adjustable.

COMPLETE PEDAL CONTROL

Real grand piano-style pedaling and adjustability

The pedals of a grand piano must be responsive and give precise control of the dampers by using the Sustain and Sostenuto pedals plus allow you to sweeten the tonal colors with the Una Corda or soft pedal. Ravenscroft 275 works with a single on/off pedal for basic sustain, or you can use all three pedals including piano-style continuous damper pedals for smooth Half-pedal control plus Sostenuto and Una Corda functions.
The Sostenuto works just like a grand piano and is perfect for triggering Sympathetic Resonance samples on notes held by this pedal. Repedal is fully supported and a crucial function to blur phrases and blend the sustained tone if the pedal is lifted and depressed quickly. Other options like half-pedal range settings and custom CC assi

Vi Labs Ravenscroft 275 Free